Textiles and the Triplett Sisters

Although we are still gathering photos for our Pinterest page to help us learn more about the Baltimore Album Quilts, it has become apparent that there are quilts with matching borders. In fact, I’ve identified five groups with five or more quilts in the group. Several of the borders are very distinctive, complicated borders that would be difficult and require a lot of time to do one side, let alone four sides. Is this a sign of a professional quilter, a workshop, a church group of ladies working together or simply a pattern being replicated? Does it mean the professional quilter made the whole quilt, or just added borders to a friendship quilt made at a quilting frolic? The rose border, (which has sometimes been credited to Mary Evans because of the style of rose) matches...

As we continue to explore the makers and sellers of BAQs, besides dressmakers and seamstresses, milliners were another group to explore. We already noted Mary Chase ran ads in the newspaper for selling "album squares." (Here is the link to read more.) Which made us wonder if there were other milliners that made and/or sold BAQs? Miss Ruth Sanks was a milliner located at 47 Baltimore Street in Baltimore, Maryland. Baltimore was originally known as Market Street and was a main drag for businesses in Baltimore. She also came to my attention because Mrs. Susan Brice's maiden name was also Sanks. So far, we haven't found a relationship between the two women. (Here is the link to read more about the Brice Workshop.) Ruth Sanks was listed as a milliner in several Baltimore Business directories during...

Studying all these Northern Chintz Style Quilts with signatures and presentation info got us thinking about how and when the craze started. We see the proliferation of signatures on the Baltimore album quilts and even in the deep South too. So, it wasn’t associated with just one area or region. The earliest known autograph album was created in 1466, but it would take until 1507 before the “album amicorum” or book of friends to really be established. In the mid 16th century it was fashionable and became common throughout Europe in the 17th century. In the United States, 1820s are usually the time cited of popularity. So, what inspired the writing on quilts? The commonly availability of commercial Indelible ink. Ink was used on textiles earlier, but it may well be that earlier quilts had signatures...

The giraffe is a well-loved animal that inspired a cultural phenomenon wherever it went, even though it didn’t turn out so well for the giraffe. In 46 BC Julius Caesar celebrated his triumphs in Egypt by bringing a Cameleopard (giraffe) back to Rome to be torn to shreds by the lions in the area. In 1487, a giraffe was presented to Lorenzo de’ Medici possibly by the Sultan of Egypt in an attempt to curry favor. This giraffe was an immediate sensation and was immortalized in poetry and paintings by many artists including Botticini, Vasair and Bacchiacca. The giraffe also appeared in an early Italian Genoa mezzaro. Medici had special stables built for the giraffe, which sadly broke its neck on the beams of the stable. Three more giraffes were gifted in 1827 by Viceroy of...

I recently gave a Study Center on this topic at the American Quilt Study Seminar. I had lots of questions and requests for information after the program. I certainly won’t give the whole presentation, but plan to explore the topic through a series of nonsequential blogs. (I’ll intermix other topics, so no one gets bored!) Military quilts (sometimes called soldier quilts or war quilts) are traditionally made from fabrics used in the production of military uniforms. The colorfast wool uniforms made for brilliant color with fabric that didn’t fray which allowed for distinct choices to be made in construction and design. Tailors used scraps from making the military uniforms to create their works of art. Soldiers used the uniforms to create the bedcovers as a form of therapy when convalescing or as an alternative to stave...