Textiles and the Triplett Sisters

Chintz fabric is a love, love, love of mine. So I spend a lot of time looking at these fabrics. Whenever there is an exhibit, a book, or a retreat on chintz, I try to make it a priority. When I was working on our book Chintz Quilts from the Poos Collection, I took the opportunity to assemble a list of fabrics that repeatedly appeared in quilts. I named it “Famous Fabrics” and I continue to track these beauties, whenever I see them. When Leah Zieber’s 2017 Chintz retreat was announced, you bet, I signed up! This year it was an opportunity to see the private collection of Sandy Sutton. (Sorry, but I’m not able to share any photos of the Sutton collection. Those are Sandy’s to share if she chooses.) However, everyone brings a “show...

  Although initially our focus was drawn to the amazing quilts in the gallery, the other textiles displayed couldn’t be ignored, especially with an indigo resist taking up a large part of the display. This amazing linen textile was made in Berks County, Pennsylvania approximately 1780 – 1830. Hanging beside the indigo resist was dress fabric from the Coromandal Coast, 1775-1800. The design was created by hand instead of being block printed. The fabric bears the mark on the back of United East India Company. Additional fabrics, including one printed by Bromley Hall in this Banyan held my attention. Needlework on display was also an important contribution to the collections. Both men and women were employed in professional workshops creating amazing clothing and furnishings. A sample of whitework from New York was also included. All of...

If you’ll recall, The Triplett Sisters were fortunate enough to have research time at Winterthur Textiles. However, that doesn’t mean there isn’t a lot to see just by visiting the Winterthur Museum, Garden & Library. The Galleries showcase the permanent collection as well as highlight themed exhibitions. The textiles in the galleries were amazing and are worthy of multiple blogs. I’ll try to restrain myself to two articles. One Chintz quilt is worthy of a blog by itself, simply filled with wonderful fabrics. You’ll notice this article is filled with multiple images from the quilt. Sadly, neither my sister nor I took photos of the title card. We were simply captivated by the fabric contained in the quilt. However, to learn more about it, here is the link to the info about the quilt made by...

Our first glimpse of the fun about to come was before breakfast, where Kay noticed a local newspaper called "The Fishwrapper", a salute to history even in the title. Think back, or if you don't have first hand knowledge, research what items would have been sold at an old dry goods store. That is the focus of the Penn Dry Goods Market held annually at the Schwenkfelder Library and Heritage Center. The market itself is a glimpse of treasures brought by various vendors selling their wares of quilts, books, buttons, and bows. Vendors are required to have a majority of their wares in the textile category. Besides the antique vendor show, there are two days of special lectures on textiles as well as the history of textiles. This year I was honored to present the trunk...

“We are Africans NOT because we are born in Africa but because Africa is born in us.” The first time I saw that quote with an image of the African continent posted on my sister’s page, I was surprised. After all, we grew up in Kansas. However, Kay Triplett spent about 10 years of her non-textile career living, working, or being connected to Africa. Kay’s living in Africa is the reason I learned how to dye adire or indigo resist. She learned to love the people, the culture, and the artists. Being a textile lover, she particularly learned to love the African textiles, which she personally collected. She helped struggling African artists by supporting their art through purchases. She took lessons from experts in the field to learn the craft and purchased treasures from art centers...