Textiles and the Triplett Sisters

While at the recent AQSG Seminar, the Poos Collection added a new acquisition. At this point with the collection as large as it is, there must be a specific reason to add a quilt to the collection. In this case, there were three solid reasons, plus bonuses. First, the quilt had a bird print in it. As I’ve mentioned before, if it has a bird in it, it is likely coming home. This fabric is what is known as a “Portuguese Print” during the 19th century which came to mean a bright furnishing fabric with wide stripes usually floral but alternating with birds or other wonders. Second the quilt had a center medallion known as Trophy of Arms with a tan background, which the Poos Collection didn’t have. The medallion is #3 in the Waldvogel Chintz...

My sister has just completed her version of the Triplett Sisters 1856 Huguenot Friendship Quilt. Since she already has the original antique quilt in her collection, she wanted to make her version completely different, and she decided to add cute applique squirrels into the corners. I love squirrels and can’t help but think of the dog from the movie who is easily distracted by SQUIRREL! It did make me wonder when squirrels first started appearing on quilts. Afterall, I’ve researched the presence of giraffes, (here is the link to that blog article) so why not squirrels? Squirrels have appeared on quilts via applique, embroidery, pieced, printed, hand painted or inked. Pick your technique and you can probably find one. Several crazy quilts have squirrels embroidered into the quilt, but those are late 19th century. So, not...

I’ve been researching Pennsylvania/New Jersey Chintz quilts to see if there is a basis for a regional quilt style theory. (If you’d like to re-read, follow the link to article 1, article 2, article 3). I’ve also been researching the origination of Anne Varley reproduction fabric, one of my favorite Dutch Heritage fabrics in a Quaker Woman's Sewing Suitcase. (Here is the link to check out that article.) So, imagine my surprise, joy, and pleasure in finding one of the original fabrics in a chintz quilt! The style of the chintz quilt fits the regional style I’ve been studying. So, when I found the block with the Anne Varley fabric which was found in a Quaker sewing collection…I was thrilled to learn that the block made by Mary Ann Bond was also a Quaker woman, but...

We have a new adventure planned for those who like to explore a different avenue to learn or be inspired. We are creating video content for the C&T Publishing online vehicle: Creative Spark. These classes and lectures can be accessed in your own time and from wherever you prefer. Up first is the West African Indigo Resist Dye Class, which is a great intro to the techniques and history. This class is perfect for: 1) those who want to try the techniques with guidance. Both video and written instructions are provided, simply order the dyeing kit to get started, 2) those who want a refresher to remind them of the info, and 3) for those who don’t really want to get into the mess of dyeing, but still want to learn everything, can simply watch and...

The fourth bi-ennual Kansas City Regional Quilt Festival took place June 17-19, 2021. It was a momentous event for multiple reasons, primarily because it is the first major quilt show that took place in person in over a year, instead of virtually. It is also remarkable because it is organized and run by 13-16 quilt guilds working together (depending on the year.) Quilters seemed ecstatic to be re-connecting with each other in person, talking to friends, walking the vendor mall, and of course looking at lots of quilts. In the judged portion of the show, the perennial favorite Janet Stone won best of show, 1st place in applique with her quilt “Crazy for Ewe.” Janet Stone is a super talented quilter who has won just about every show in the nation, so it is appropriate for...