Textiles and the Triplett Sisters

Continuing our adventures in DC we were captivated by the Fan Quilt of Mt Carmel at the Smithsonian American Art Museum. The quilt was made by the residents of Bourbon County, Kentucky originally named after the royal family of France who aided the US in the War of Independence. The Ladies Aid Society is prominently featured on the quilt with the President, Vice President, Secretary and Treasurer included, which leads me to speculate they had significant involvement in the creation of the quilt. I was particularly drawn to the “paper” faces in the quilt, identified by the museum as chromolithographic paper decals. Chromolithographic printing was in wide spread use after the civil war and it allowed the middle class also to hang art. It is a colored image printed by many applications of lithographic stones using...

I probably should have saved this blog for the week of Flag Day or some other holiday, but one of the special exhibitions at the recent AQS QuiltWeek caught my eye. Presidential and Patriotic Quilts from the collection of Sue Reich had two quilts that fascinated me. The first quilt was the Centennial Flag Banner Quilt 1876, 76” x 82” contained fabric with a patent date of December 28, 1875. Although patriotic themed textiles had been popular in America for some time, fabric companies ramped up production on many new fabrics related to the Centennial Exposition of 1876. The exposition held in Philadelphia was something I’d just been researching because of a quilt in our next book, Pioneer Quilts. Officially named the International Exhibition of Arts, Manufactures and Products of Soil and Mine, considered the first...

Originally printed for furniture or wall hangings, Chintz panels were also designed as seat covers or seat backs. Approximately 40 different panels are known, with more to be discovered. The majority of the surviving chintz panels known were printed in England, but panels were also printed in India and France. These printed panels came to be known as center medallions and were quickly adopted by quilters as the perfect center of the quilt. Approximately 200 antique quilts used these different medallions with a variety of frames and piecing. But the panels eventually became more than just the centerpiece, with some quilts using as many as 10 or more panels. One well known panel called the Fruit Basket Medallion or Basket of Fruit has been documented in approximately 40 British and American quilts. It was a favorite...