Textiles and the Triplett Sisters

We are pleased to announce the first in our Jewelry of the Month series: Golden Amour. This jewelry project uses paper piecing which in England and America is sometimes called English Paper Piecing. It really should be known as Italian paper piecing, since this oldest known example of this technique is an Italian pillow known as the Impruneta Cushion which dates from the 15th century. If you’d like to join us on the Jewelry of the Month journey and make your own version of this necklace, bracelet, or earrings, then check out our YouTube video to see instructions. Or we have detailed instructions and kits available in our Etsy shop at this link. I’ve love to see the pieces of jewelry that you make, so please post photos in the comments on our Facebook and YouTube...

“We are Africans NOT because we are born in Africa but because Africa is born in us.” The first time I saw that quote with an image of the African continent posted on my sister’s page, I was surprised. After all, we grew up in Kansas. However, Kay Triplett spent about 10 years of her non-textile career living, working, or being connected to Africa. Kay’s living in Africa is the reason I learned how to dye adire or indigo resist. She learned to love the people, the culture, and the artists. Being a textile lover, she particularly learned to love the African textiles, which she personally collected. She helped struggling African artists by supporting their art through purchases. She took lessons from experts in the field to learn the craft and purchased treasures from art centers...

The challenge was issued: use reproduction fabrics in a contemporary way for a quilt. After giving the idea some time to percolate, I decided to use artistic principles to help guide the challenge. Then of course I had a difficult time deciding which artistic principal to use first! So, this will be the first in a non-sequential series of articles using different artistic principles with reproduction fabrics to create a contemporary take. I hope these artistic principles will inspire you on your next quilt, whatever fabric you choose to use. Deconstruction (also known as deconstructivism) came to the forefront in a 1982 architecture competition, with credit given to the entry by Jacques Derrida and Peter Eisenman. In 1988 the Museum of Modern Art New York exhibition of “Deconstructivist Architecture” solidified the movement against postmodernism ideal of...

Continuing our adventures in DC we were captivated by the Fan Quilt of Mt Carmel at the Smithsonian American Art Museum. The quilt was made by the residents of Bourbon County, Kentucky originally named after the royal family of France who aided the US in the War of Independence. The Ladies Aid Society is prominently featured on the quilt with the President, Vice President, Secretary and Treasurer included, which leads me to speculate they had significant involvement in the creation of the quilt. I was particularly drawn to the “paper” faces in the quilt, identified by the museum as chromolithographic paper decals. Chromolithographic printing was in wide spread use after the civil war and it allowed the middle class also to hang art. It is a colored image printed by many applications of lithographic stones using...

As part of our continuing series on Caring for Your Collection, we are going to discuss cleaning your quilt. Xenia Cord, co-author of Chintz Quilts from the Poos Collection says, if considering washing your quilt, go lie down until the feeling passes. The first time Kay told me I was going to wash one of her antique quilts, I tried multiple ways to get out of it. By the way, kicking and screaming “no” wasn’t effective. Even after multiple successful attempts, I don’t like or want to wash a quilt. I don’t want to be responsible for ruining a treasure. The first factor to consider, is the value of the quilt. Is this such a valuable quilt that it should be left to professionals? Professional restoration experts have tools and access to setups that some simply...