Textiles and the Triplett Sisters

For centuries Baltimore Album Quilts were considered the epitome of American Quilts. Crafted in the middle 19th century, Baltimore Album Quilts (BAQs) were in many cases the creation of professional needle workers selling completed blocks, pre-cut, or pre-basted blocks. BAQs traditionally used red and green colors with touches of yellow and blue. American quilters in the following generations attempted to make their own versions of the Baltimore Album Quilts usually as a reproduction quilt. Striving to create a quilt as close as possible to original BAQ. A few American quilters, such as Sue Garmin or Elly Sienkiewicz,, even took on the daunting task of creating quilt patterns inspired by BAQs. In 2005, a Japanese quilter, Yukiko Hirano entered her first international competition the IQA Judged Show as part of the International Houston Quilt Show. She received...

As promised our next blog focus is the exhibition curated by Cynthia Collier. But it is important to note that Cynthia did more than curate the exhibit, she was one of the amazing artists. She had 11 of her fabulous quilts in “Applique, The Timeless Beauty of Broderie Perse”. Sometimes when we feature an exhibit, I have trouble selecting from the hundreds of photos to narrow it down to the 4 quilts we will display. Even when I divide this exhibition into two blogs: one which focuses on other quilt artists in the exhibit and one for Cynthia’s quilts, I still have a hard time choosing between her 11 fabulous quilts. Besides acting as curator for the exhibit, she also donated her time to give gallery talks. She isn’t teaching anymore, so this was a rare...

Broderie perse is French for Persian embroidery, but through the decades it also came to refer to artists cutting out fabric to applique onto a background fabric. This technique was also called “cutout chintz applique.” Recently experts have come to avoid using broderie perse unless the textile also includes embroidery, favoring instead “cutout chintz applique.” However, if there isn’t embroidery present and not all the fabric used is actually “chintz” what should you call it then? When you are as talented as these artists, whatever you want. As Shakespeare reminds us, “a rose by any other name would smell as sweet.” This is one of the exhibitions in which I had a hard time selecting which photos to include. Even though I divided the blog post into 2 parts, it still only allows eight quilts. However,...

Our first adventure in October was a trip to Lincoln, Nebraska for the American Quilt Study Group Seminar. While attending the seminar we visited the International Quilt Museum (now IQM< formerly the International Quilt Study Center and Museum.) Shapeshifters was a new exhibition which showcased acquisitions that had never been exhibited at the museum before. This first in a series of exhibitions focused on applique and the center medallion format is heavily represented. Each quilt uses a different approach to make the design original in the quilt artists own way. The quilts in this exhibition range in date from 1830’s – 1930’s. The gazelle quilt was made by Bertha Stenge, dubbed “Chicago’s Quilting Queen” by the Chicago Daily News. The quilt was originally purchased from the Chicago Art Institute, then later it was donated to IQM....

It has been a while since I’ve written a blog, but I thought you might need a breather after the four days in a row with our new book Hidden Treasures Blog Tour. It is hard to believe that we are halfway through the year, which made me wonder if I’d left out any amazing quilts from previous articles. Because I can only have 4-5 photos in each blog, sometimes I must make hard choices on which gems to include. However, a review of the year revealed that I’d not only left out antique quilt gems, but some exhibitions. One such exhibition was from the Mark Dunn Collection at the International Quilt Museum (formerly known as International Quilt Study Center & Museum.) In 1966 he started his career in the textile industry as a third-generation sales...